Volume 1 Number 6
Hi Folks,
OK - have done a couple of major work outlines over the past few issues. This week is a bit of a breather and a few tips rather than overviews of work. The PD reference this week is really interesting - and in Bergen!!
LESSON/ACTIVITY IDEA
This tip will seem totally obvious to anyone who's been doing drama for a while, but I have been using it quite a bit lately and it never hurts to be reminded what's in our repertoire.
I'll try to explain by way of example. We have been looking at Ibsen's "The Doll's House" in class recently. In order to understand some of the issues I set some improvisation activities. This was done before we began our discussions of the text. The first improvisation required the students to work in groups of three or four and explore the following...
DECEPTIVE
BENDS
Characters:
The
Deceiver – this person has a secret that is being kept from another
character. The consequences
of being discovered will be serious.
This person is well liked and cares about friends and family.
This person is somewhat optimistic.
The
Threat – this person has discovered the secret and in order to gain
some personal benefit presents an ultimatum to the Deceiver.
This person is poorly regarded and has a reputation for creating
trouble.
The
Other – this person is unaware of the secret.
This person is significant to the lives of the other characters.
This person holds a position of authority and respect.
This person is also a little caught up in their own affairs.
Situation:
The
scene is to take place at a celebration.
All three people are present and have known each other for many
years.
The
Goal:
When the students had explored this improvisation activity we looked at the concerns each character had and how that affected the relationship structures... Then we look to the text and see how Nora's deal with Krogstad affects her marriage to Torvald...
Similar improvisation activities can be structured to explore other aspects of any text.
RECOMMENDED WEBSITES
A very savvy, stylish and intelligent magazine containing sections:
- Plays and Screenplays published with full text (including
Production Notes) for reading on-line;- What’s happening in theatre and film in cities and regions throughout the world, with reports by people who live and work there;
- The personal notebooks logged by actors, directors, playwrights, screenwriters as they work through development, rehearsals and performances;
- News and Reviews;
- Focus articles;
- Short reviews.
This months feature topic is Art, Media and War
PROFESSIONAL DEVELOPMENT
CSCL
is a genuinely interdisciplinary field which strives to create a better
understanding of collaborative learning that is mediated by a diverse
set of computational technologies. Research that is able to combine and
synthesize the different aspects of technology supported collaborative
learning is what gives the CSCL
community its colourful and special characteristic. We especially invite
contributions that attempt to cross boundaries by successfully
demonstrating the integration of the different aspects of CSCL.
The CSCL conference is a major international event that gathers people involved in all aspects of the field of CSCL, including research, education, training and technology extensions. Accordingly, CSCL 2003 invites participation from researchers and students, designers, educators, industrial trainers from various disciplines including education, cognitive, social and educational psychology, didactics, subject matter specialties, computer science, linguistics and semiotics, speech communication, anthropology, sociology and design.
The original call for papers can be found here.
RECOMMENDED RESOURCES

Action
Theater : The Improvisation of Presence
by Ruth Zaporah
Each chapter of this book presents a single day of the twenty-day training which Ruth Zaporah developed into Action Theater, her investigation into the life-reflecting process of improvisation. This book shows through excercises, stories, anecdotes, and metaphors how to focus attention on the body's awareness of the present moment, moving away from preconceived ideas. Improvisations move through fear, boredom, laziness, and distraction to a sustained awareness of creative options.
The
Young Actor's Book of Improvisation :
Dramatic
Situations from Shakespeare to Spielberg : Ages 7-11
by Sandra Caruso, Susan Kosoff
With over two hundred dramatic situations, this volume is by far the most extensive sourcebook available for nurturing young actors' improvisational work. The range is vast. Sandra Caruso includes everything from beloved classics to folk and fairy tales to modern realism and contemporary stories, facilitating improvisational work of equal variety.
Also available in hardcover
Kim Flintoff