SCHEME
OF WORK
provided by Kerry Mason
Year 10 – Edexcel Drama
Term One; Up to ˝ term
Project One (Four lessons)
What is a theatre company? Write up what a theatre company is for homework.
Bring
in aims of the group.
Trust
activities and relaxation activities.
Discussing
drama diary.
Improvisation activities. * Where were you last night? * Guess the situation * Whole class group impros/touching on forum theatre.
Introducing drama conventions (Whirl wind workshops)
Begin creating a drama vocabulary sheet.
Project Three (Six lessons)
Exploring
Character. Creating a
character, use of brainstorming, hotseating, dodding cards, s movement
and focusing on; Motivation/Intention,
Situation,
Action (Who, Why, What, How.)
Devise a short scene for your character focusing on a life-changing event the character faced and how they reacted in that situation.
Use improvisation, then structure, to be performed to the class, to be used as an initial Target Setting evaluation (Video work). All work to be written up in diary form.
Homework
to include;
* Role on the wall * Lesson write ups * Character Profile
Project Four (Two-three lessons)
Evaluate work so far, what has been learnt?
Develop a personal target.
Watch
videoed work and evaluate how you could have improved and what you did well.
Term One; - After ˝ term
Project Five (Up to 12 lessons)
Conflict
and Co-operation drama and movement work.
Max, Nita, Yvonne work on conflict. From the youth work drama book (Fireworks)
(Focuses
on Movement/Gesture/Mime, Voice, Symbols, Hotseating and Character/Role
Play.)
Project Six
Recap
skills developed. Add to Drama
vocab list.
Individual
pupil/teacher discussions to check progress and to address concerns,
problems. Re-cap targets.
Preparation
work for Mysticism assessment for Paper I
(See Mysticism scheme)
Portfolio introduced and discussed.
Assessment
work – Paper I, unit 1
(See separate scheme.)
Preparation
work for Paper I – unit 2 (Script Work)
Develop
work on;
Symbols,
Rhythm/Pace, Styles, Inner Meaning, Sub Text,
Characterisation,
Performing, improvising using scripts.
Looking at different ways of exploring a script. (As a radio play, TV interview, verse, using stage directions, using movement, as a diary, or as a narrated piece of mime or image theatre.)
Work also developed on reviewing performances, with view to going to see a live production.